Patrick Lysaght |Austin
| Sculptor/Painter/Materials Scientist
Cycladics: Now & Then is a new monumental
limestone and steel sculpture at The Benini Sculpture Ranch. Lysaght
notes it was inspired by and pays homage to Early Cycladic
sculpture. The Cyclades, a group of islands in the southwestern
Aegean, is the site of pre-Bronze Age carved marble figures
representing some of the world's most pivotal artistic creations.
The larger stone is 8700 pounds, the slightly smaller one is 7800
pounds. They will be erected on 30 ft. and 29 ft steel poles.
Lysaght will discuss the artistic concept and illustrate specific
challenges associated with rendering this sculpture from the
original idea to final placement.
Lysaght's painted forms illustrate his experience as a stone carver
and materials scientist by the integration of stone-like human
forms. He has developed a series of painted and sculpted images
comprised of primitive-abstract elements based on human
consciousness that explore the juxtaposition of dissimilar
components: the coexistence of primitive, ancestral figures rendered
within the context of modern aesthetic characteristics. These
visions of longing for truth and reason, past and present, exemplify
Lysaght's quest for self realization.
Vittoriana lives in Mordana, near the
city of Imola, near Bologna. She was featured once before at ARTS
Encounters and returns with new paintings. Well known in Italy for
her figurative paintings, with numerous one-woman exhibitions, she
concurrently paints her "bambole" series, the doll babies as shown
in her playful piece, Passione Dicharata (A Declared Passion), on
display in the galleries. Vittoriana is the cousin of Benini.
Patty Rooney| Dallas |
Encaustic Revival: Contemporary Approaches to an
Ancient Medium
I attribute my passion for artistic
creativity to a diverse and diffuse array of people and experiences:
family, friends, travel, college, literature, museum visits and gallery
shows. After graduating from high school in my home town of Kansas City,
I worked and traveled internationally as a fashion model for thirteen
years. This peripatetic existence left an indelible impression on my
life and my art. It exposed me to people very different from myself,
which spawned a life long love of learning.
Towards the end of my modeling career I earned degrees in History and
Latin American Studies at Southern Methodist University in Dallas,
Texas. The dynamic lectures of the distinguished author and SMU Art
History Professor Alessandra Comini had a particularly galvanizing
influence on my interest in art. After college, I worked for several
years as a producer of television and radio for the Hispanic market.
It was during this incredibly
busy, deadline-oriented phase of my life that my longing to paint
surfaced. After taking numerous courses in painting, drawing and design
I found my passion in encaustic, the ancient medium of pigmented wax.
I was first drawn to the sheer physicality of the material.
Early experiments involved using my young son’s crayons, melting them
with a Bic lighter. The medium dries almost before it reaches the
surface and can be manipulated endlessly with heat, allowing for a
variety of optical effects—from translucent or impasto to shiny or
matte. I approach the material in an additive/subtractive manner, which
likens it to a three way process of painting, drawing and sculpting...Rooney
Rooney's presentation will
include a history of encaustics, encaustic tools and materials and her
portfolio.
Goldkind's ARTS Encounters
presentation dovetails with the exhibition sponsored by
Photography 414 on Main Street in Fredericksburg. March 28 through May 31,
2008
For more information visit
www.Photography414.com or call 830-990-1330.
Joy Goldkind
Adagio, is a series of images that are about the movements of dance. I
have worked for the past year with dancers from various dance companies.
These are portraits of the dancers done through their movements and
gestures. The work is about the movement of the body in light and space.
These images are a departure from reality into the rituals of dance and
music.
As
with my past work the spirit of the person is more important the actual
portrait. The body moving is an essential part of all dances. Here we
try to capture just a moment in time, light, and space.
My
work is done in the Bromoil Process. A Bromoil print is a silver gelatin
bromide print that has been bleached to remove the silver. The image is
than inked with a greasy pigment such as lithographic ink to replace the
silver. I use this process because it enhances the softness and adds
mystery to the images. Taking it a step away from reality. The images
from my work are at times created and inspired from a fantasy world to
have another “worldly quality”.
I
use double exposure and slow shutter speeds to change what is true and
expected in a scene. This process gives me the freedom to soften, blur
or completely erase an aspect of the original negative. I use a Wisner 4
x5 with one lens for most of my work. Polaroid’s type 55 is the film I
use when working with models since with motion it is necessary to see
the results immediately.
Creativity by deviating from the predictable is a valuable tool for
furthering the artistic vision. Basic techniques are simply a starting
point in the process of developing a recognizable style. This method
allows me to alter a traditional photograph, and create a unique
painterly print. My subject matter adds another dimension, so that the
final product is a multi- layered, glimpse beneath the surface. The
portrait for me is a picture of a persons place in life as well as what
that individual feels inside..Goldkind.
RIGEL THURSTON|Austin,
Texas |Classic Jazz Piano and Vocals
Rigel Thurston, was originally
from Port Townsend, Washington. He has been plinking
around on the piano since he was about 8 years old. Now, at
25, he's in Austin dazzling local audiences with his vocal
and piano talent, a bluesy style similar to Harry Connick,
Jr. As a young boy, he began taking lessons from Overton
Berry, a jazz musician who is well-known in Seattle and
other parts of Washington. Studying with Berry for over
three years, Thurston stuck with jazz, and in his early
teens began studying with Barney McClure, a renowned jazz
musician...
That's really where my growth as a jazz musician
catapulted. Music has taught me a lot in
regards to interpersonal communications when dealing with a
group and people individually. It has given me a
lot of insight as to how people work. I live the moment, and especially
enjoy those that involve music, whether it's coming from
me or someone else. When I hear something that really
inspires me, I get tingles - I start
laughing out loud--I just want to shout for joy...Thurston
Thurston played with "the
Liz Morphus Band," a blues cover band, until 2003.
Initially the band played at Nat's Pub in Lakeway (now
called Bull & Buzzard Pub), and then regularly at the 311
Club on 6th Street. Theyalso played at Steamboat, Momo's
Club and Flipnotics & Satellite Cafe. Currently, Thurston is
a one-man band....